ABT 2 off to the printers!

It's done. Gone to the printers.

And I'll admit it, it's done a little later than I had scheduled *coughDecember2014cough* but hey, that's how the cookie crumbles.

And while the slowness is down to me, I can't take all the credit for the finished product.

In my humble opinion, A Brigand's Tale Number 2 is in every respect superior to number 1.

Some of that may be from me, but it is largely due to the assistance from 2 other collaborators.

First off is Mike Stoneburner, not only did he write the 4 page back up story in this issue loaded with the feels, but he really helped refine a lot of the dialogue in the scenes in the book, and helped 'fantasy it up a notch' with his prose exposition skills. He also added some great jokes!

Then, while I think I did an OK job on the art chores, John, the man behind Midnight Runners publishing stepped in at the last minute and executed screentones on the art that just takes the whole thing to another level!

Not gonna lie, those 2 make me look good, but most importantly you, the reader will enjoy it moreover because of the effort and talent these guys put into the book.

So to celebrate, and because due to various family commitments, I will be unable to launch the book a ComicGong, but still go to that one, there will be a brand new issue of The Adventurers launched there that wraps up the first story arc for those cuddly critters! 

or even attend, this bad boy will now be officially launched at Supanova Sydney - yeee harrrrr!

To make up for this, from next week I will begin posting a page a week from ABT #2 replete with annotations.

Until then, stay tuned!

Brigand is trademak and Copyright Daniel Tribe. All rights reserved.

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Tips and tricks part 2

If you work digitally, this may not be of interest to you. 

This post is pretty much about if you wanna make a mess and literally get your fingers dirty.

I don't begrudge people who work digitally. I get it. It's faster. Your lines are straight, you can copy and paste backgrounds, instant resizing, blah,blah,blah. 

Don't get me wrong, some of my best friends are exclusively digital. 

And that is all good. 

But for me personally, nothing is actually more FUN than splashing ink on paper. 

and ultimately I make comics because it is fun. 

The more fun the better.

I am a relative beginner so see below for some great resources I swiped from pros who are actually awesome and make this stuff look easy:

Artist extraordinaire Tom Richard on inking:

http://www.tomrichmond.com/blog/2006/08/21/inking-tutorial-part-i/

http://www.tomrichmond.com/blog/2006/08/22/inking-tutorial-part-ii/

Inking demo vides with one of my art heroes Sean G Murphy, I love the bit where he just pushes the ink with his fingers...

https://www.youtube.com/watch?v=jelTniKtlZY

https://www.youtube.com/watch?v=fpOelUJqLA4

https://www.youtube.com/watch?v=-oO2J2ponho

Enjoy!

Think I'm wrong? Let me know in the comments below:

Tips & tricks part 1

I wouldn't go so far as to call it a 'pro-tip', but hey I found a neat little trick that works for me.

Here it is. You ready for this?

Sometimes all the art work for a page isn't done on the same page...whoa man, that's crazy talk. 

Is it?

I first discovered this looking at Justin Randall's development blog for his award winning 'Changing Ways' series. I also noticed that dry brushing master Greg Ruth used a similar technique in his phenomenal art work on CONAN volume 0: Born on the Battlefield. (Buy it, read it. Easily one of the best Conan stories ever, and I have read A LOT of Conan stories.)

Get this - Justin only uses one whole page PER PANEL for his work.

The advantages are obvious when you think about it. Working large gives you the advantages of simultaneously having more detail and being less fussy about every little stroke.

It's a classic win-win.

Here's an example from a Spoiler free page from the upcoming 'A Brigand's Tale' #2.

As you can see from above, panels 2 and 5 are incomplete.
From memory, I wasn't happy with those panels for one reason or another.
But not having those panels on the page meant that I could make panel 3 & 4 slightly bigger and less cramped for the inking of it. 

So what about the other panels I hear you ask?

Well, there is a whole other blank side of the paper, so I just use that side to do the other panels...

As you can see, I have A LOT more real estate for only 2 panels. Trust me when I tell you that traditional inking is much more forgiving the bigger the size your working at. Quite simply because all the big (and little) mistakes are less obvious!

Using this method I actually feel that these 2 panel pages above are actually some of the best inking I've done in terms of realising what I was going for right from the beginning.

So what now?

With the magic of Photoshop, I scan the 2 pages, resize/scale the panels as required, chuck on some panel borders and lettering and boom, the final piece...

A possible downside is selling the original art may be a bit harder, but I'm not currently being swamped by offers at the moment, and the trade off is worth it for a better quality finished product.

Am I wrong?

Let me know in the comments below!

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A Brigand's Tale, Brigand, and all distinctive likenesses thereof are trademark and copyright Daniel Tribe 2015. All rights reserved.

Wrapping up ABT #2

Another week down, and another week closer to COMIC GONG.

Last year COMIC GONG was massive, this year it's looking to be even Bigger!

So the race is on for issue 2 of 'A Brigand's Tale' to get wrapped up for launch in my old home town of Wollongong!

At present I can confirm that we are about 85% complete. 

Issue 2 has been a bit of a mad science experiment. A nice way of saying a dogs breakfast.

Some pages have been completely digital. Some pages have been a bit of both. As usual many panels have been redrawn multiple times.

I have tried some different approaches to production, not all of them successful... production on this book has been shelved or stalled over the last year for a variety of reasons but I am finally on track to wrap this bad boy up.

The Good news is that from issue 2 you will start to see some of the pieces of the puzzle come together regarding the past, and is it possible that those we thought were friends are really enemies?

And who is this guy?

Or this guy for that matter?

So much adventure (and feels) crammed into this thing I can't wait for you all to get your hands on it!

Feel free to post your comments below!

Follow my tweets: twitter.com/TheDanTribe






A Brigand's Tale, Brigand, Shadowthief, Zippy and all distinctive likenesses thereof are trademark and copyright Daniel Tribe 2015. All rights reserved.